Sarah Ruhl's plays include How to Transcend a Happy Marriage; For Peter Pan on her 70th Birthday; The Oldest Boy; In the Next Room, or the vibrator play (Pulitzer Prize finalist, Tony Award nominee for best new play); The Clean House (Pulitzer Prize Finalist, The Susan Smith Blackburn Prize); Passion Play (Pen American award, The Fourth Freedom Forum Playwriting Award from The Kennedy Center); Orlando; Late: a cowboy song; Dear Elizabeth; Dead Man's Cell Phone (Helen Hayes Award); Eurydice; and Stage Kiss. She is a two-time Pulitzer Prize finalist and a Tony Award nominee. She has received the Steinberg Distinguished Playwright award, the Susan Smith Blackburn award, the Whiting award, the Lily Award, a PEN award for mid-career playwrights, and the MacArthur "genius" award. Her book of essays 100 Essays I Don't Have Time to Write was published by Faber and Faber was a Times Notable Book of the Year. She teaches at the Yale School of Drama and lives in Brooklyn with her family.

"I am beyond honored to be included in the Signature revolution—a revolution that honors a playwright’s body of work over time.  I humbly follow my heroes and teachers—including Paula Vogel, María Irene Fornés, Lynn Nottage, and Chuck Mee—with immense gratitude and a healthy dose of terror. I always love seeing plays at Signature because I know that theatrical language will come first, and everything else will follow.” 

- Sarah Ruhl

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